April 29, 2010

I'll sell you the Mona Lisa for $1

© Todd Walker

So you've decided to make some money with your camera. To do that, you have to take pictures for people, and you have to charge a price for it. So where do you start? How do you determine what to ask for the work you do? When it comes to the business side of photography, this is the number one question I've been asked. It's a hard one to answer. There are just so many variables involved, its nearly impossible to answer. Everyone of us has a different style that appeals to a different market. We live in various places serving very different demographics. Different markets will tolerate different rates. To an extent, each one of us will have to figure out what we will charge for our photography. Being relatively new to the industry, and having to have figured this out for myself, I do have a few thoughts on the subject. I could go on and on about it, but hopefully I can at least get you thinking.

When starting out, it is easy to think that price alone give you the edge over your competition. "If I can just undercut Frank's Fabulous Fotos, then I'll get some of his clients." Its natural to think this way. So much of our materialistic culture is based around this ideal. Think of it this way. Say there's a small-town hardware store that sales a particular power drill for $200. But down at Wal-Mart you can get the exact same power drill for $150. The same exact drill, made by the same exact manufacturer, but at 3/4 the cost. That's a no brainer. But photographers aren't in this game. The photography you offer is not, and never will be, the same as anyone else's. You view the world in a particular way, possess a particular shooting style, and produce a unique photograph. To think that what we produce is exactly the same as what everyone else produces is ignorant. We aren't manufacturing a widget. We are creating art. And since we are not producing the exact same thing as Frank down the street, we shouldn't be competing on price alone.

If we ever get into a price war with photographers around us, it won't be long before all of us are out of business. I work part time at a retail camera store. We sell some of the exact same items found at other stores. Competing on price alone, we can lower the price on these items to barely above cost, or even below cost, in order get customers in the door. The hope is we can then sell other items that have much higher profit margins. We may loose a couple bucks on one thing, but profit fifty on another. The reason you can't do this as a photographer is simple. There is only one of you. You only have one thing to sell. If it we compete on price alone, we would have to lower our prices over and over until we are charging less than what it costs us to be in business. Game Over when this happens. And there are so many photographers in the industry who are doing this very thing. And many more who have gone under because of it.

Have you ever walked by the portrait studio at a Wal-Mart and seen how much they charge for a portrait package? Here its something like 30 prints for $9.95. Ever done the math on that? The prints lone would cost me much more than that. And that's not considering my time to photograph the family, edit the images, the wear on my equipment etc. At $9.95, that's massive loss for someone who can't also sell the family a flat screen TV for a large profit. It may be different where you are, but I can't pay my bills with a negative cash flow. So how do we compete with Wal-Mart? Simple: you don't. Nor should you. What you produce should have so much more value than what Wal-Mart has. I know that people can get 30 prints for $9.95 there. But I also know that they can come to me and receive much more value for their money. "Say what? Your sitting fee alone is nearly 13 times Wal-Mart's entire package price. How in the world is that more value?!?"
David duChemin wrote, "Value is not determined by price. Value is about what the client gets for the price paid. If I pay $100 and get nothing, that's not value. It's cheap. If I pay $1,000 and get much more than I expected, that's not expensive; it's value. And when you consider this way of thinking, it's easy to see how competing on price can lead a client to look at your pricing and ask the question, 'what's wrong with their service? Why are they so inexpensive?' Repeat after me: 'I can't compete on price alone.' Is pricing important? Yes. Will clients consider the price? Yes. But if you need to lower your prices until you are bankrupt, then these are not clients you want and you should find a new market... the clients who are worth keeping want value."

Instead of worrying about what others are charging for their work, we should be building value into our own. Put simply, charge cheap rates, and you're perceived as cheap. Add to what your clients receive for the money, and you're seen as valuable. Think about it. Say you have a newborn daughter. You want portraits taken of your beautiful little girl. Money is no object. Do you go down to Wal-Mart for the $9.95 package, or do you higher Anne Geddes and pay her whatever she charges? Somehow, having your child photographed by Anne Geddes seems so much more valuable than being able to pick up some milk and a new shirt on the way out of the studio.

Get where I'm comin' from? The value of your work is perceived. Many of us are very good at creating the images we do. However, way too many of us charge way too little for it. Granted, some simply don't have it, and need to move on to something else. I tried to play the guitar for years, and finally gave into the fact I simply didn't have it. Bt for the rest of you, those who are shooting good, solid photography, need to recognize the value of your work. Charge $9.95 and your work won't be perceived nearly valuable as if you were charging $1500. Also, you will attract certain clients based on your perceived value. A $9.95 photographer will attract $9.95 clients. A $1500 photographer will attract $1500 clients. This all should play into your thinking as you determine what to charge for your photography.

One more thought before signing off. If you have decided your photography is unique, has value, and are charging a good amount for it, then what you create better back up your prices. These two things, the work you produce and the amount you charge, go hand in hand. Anyone would gladly pay $9.95 to have their newborn photographed by Anne Geddes. That would be an incredible value. But no one in their right mind would pay Wal-Mart what Anne Geddes charges. That would be a rip off.

If you say you can give something of high value for really cheap, people will question its value. If I were to tell you I'd sell you the Mona Lisa for $1, all kinds of red flags would go up. "Is it the real Mona Lisa, the one that is worth so much more than a dollar? What's wrong with this deal?" But if I were to tell you I'd sell you a great painting for $1000, and gave you the Mona Lisa, you'd think you got a great value for your money. Work on your craft, charge what its worth, produce great images, and add value where you can. You are an artist, not a peddler of power drills. You cannot and should not compete on price alone.

So there you go, 1348 words about pricing your work. This is a massive subject, one I am still learning. I could never do the topic justice in a blog post. But hopefully I've given you something to think about. Whatever you do, don't undervalue your work. It is worth so much more than you think it is. Do your research, think it through, and charge accordingly.

Now, go out and shoot something!

April 27, 2010

Stacy F's Image Critique

© Stacy Fields

Happy Tuesday everyone. . . Lets get to this week's critique.

This one comes again from Stacy. The image is of a girl in a hat. This one is very heavy on the graphic side, as a apposed to a straight photograph. I must say, I love this image. Very well executed.

First off, the lighting is handled very well. The high level of contrast between the face and hair is very suitable for this type of image. The deep shadows keeps a level of "darkness" to the image that perfect for the image. As always, the lighting is what makes this image what it is. Use broad lighting and low contrast, and the image looses its impact. The expression on the subject works well. And the hat. . . the hat is a great detail, adding so much interest to the subject. Adding the hat to the subject took the interest level up several notches. Without it, the image would still be great, but with it, its on a whole other level. So bravo on the decision to use the hat.

As you all know, I love compositions heavily weighted to one side. So its no surprise that I really like the composition here. The dead space to the right of the subject adds so much interest to the overall image. Shoot it as a tight, portrait (vertical) composition, and it looses a lot of its impact. So shooting it as a landscape (horizontal) composition was a good decision (in my opinion anyway).

A few more things I like about the image: first) the textured background. Its only adds to the interest of the image. Nothing like a gritty, decaying wall to add interest to any image. B) the coloring of the image. The overall "rusty" look is awesome. And 3) whatever you did to the eyes. . . love it! It may be hard to see on the blog, but the sharp, golden eye "pops" really well out of the rusty surroundings.

Now, on to some things to consider that could make the image stronger. The first thing I think would help would be to add a hard accent, or edge light to the back side of the subject. Not to illuminate the entire left side, I like the deep shadows. But just a little rim light on the back edge of the subject would help separate her from the background. Also, the light on the front of the hat, on the laces is a bit too bright. This is the brightest area in the image, thus pulling the eye to that spot. Now, if you intended to focus on the hat, then I'd leave it alone. However, if you intend ed for the girls to be the true subject of the image, then her face, particularly her eye, should be the focus. So, if you couldn't (or overlooked) modifying the amount of light hitting the laces, then you should burn them down in post production. Darkening that area would allow the eye to be the brightest area, and thus drawing the eye more naturally to that spot.

Overall, this image is stellar, a very striking image. Keep it up Stacy, you're on your way to becoming a huge part of the photographic community! Thanks for sharing your work with us. I look forward to following your work.

As always, anyone reading this is welcome to chime in on Stacy's image. So what's your opinion? What'd I miss? Feel free to offer your opinion in the comments! Also, if you have any images you'd like for me to give my opinion on, you can e-mail them to me at toddwalkerphotography@gmail.com. I only use them on the blog, for the critiques, and for the purpose of helping the photographic community improve. I also do not use last names, or link any image to your website. This is so your clients won't come across my critique through google, who sees all and knows all. The last thing I want is for you to loose potential clients because they saw a critique of your work, even though you are using the input to improve your craft. So, I am vague as to who send in the images.

Now, go out and shoot something!

April 22, 2010

Longsuffering...

© Todd Walker

There are days, no, weeks when I think this career thing of mine is a dead end. It seems that too much time passes without income. Sure, I keep shooting, sharpening my skills and honing my craft. But I've decided something different. I want more out of my camera than simply creating images. I want my camera to completely replace the need for a job. And that's what I'm pursuing. But at times, for far too long, the means to this end eludes me. Every time I seem to gain a little bit of traction, start making a little money, I somehow get stuck, and a monetary dry spell ensues. As the time passes, the bills continue to come. It doesn't take very long before discouragement sets in. Discouraged over the fact that my craft, the very thing that makes me most alive, is doing very little to put food on the table. This is when I begin to think, "maybe I should just give it up and go get a 'real' job." At least that way I could shoot for the pure enjoyment of it - without the added pressure to make a living at it. Just about the time I open up and update my resume', something happens that changes everything...

A few months back, I was about to put my camera down. It had been a long time since I generated any consistent income with it. Things were getting tight, my wallet gathering too many cobwebs. This dry spell nearly lasted too long. I began to think "well, its been a good ride, but it looks like its coming to an end. Time to hang it up and start sendin' out the old resume'. But I sure don't want to." And no sooner does this thought race through my mind, the phone rings...

"Yes, I am free that weekend. Okay great! I'll send you the packages I offer. Thank you so much for considering me." Soon, the wedding was booked. Finally, something to keep me going.

Then the phone rings again...

"I do happen to have that Saturday free. I'd love to cover that for you! I'll send you all the info and we'll be set. Thank you so much for the opportunity to work with you." Not long after, the prom was scheduled. Now were talking!

The phone rings again...

"Sure, I can shoot tomorrow. It just so happens I'm free. Absolutely, I'd love to. What time is good for you? Great! I'll see you at 8:30am at the stadium." Senior session on the books. On a roll!

Again the phone rings...

"I would love to do the product shots for your restaurant! You can just pay me with a couple of free meals, and pass my name around to your business associates. Lets plan on next Friday. Awesome, see you then." Commercial shoot in the bag. Pickin' up steam now!!

Then I get an e-mail...

"I would be honored to photograph your wedding! I'd be more than happy to send you my pricing. I look forward to the opportunity to working for you. If you have any questions, please let me know." Another wedding?!! Are you kidding?!! This is starting to cut into my time to update my blog.

And on and on its been going. Things are picking up. I love getting to do what I love doing!! And its even better to be paying the bills while doing it! And this is great, since I didn't really feel like looking for my resume' anyway. =)

More than anything, I want to make this photography thing work. I don't want to settle. Even when there seems to be no hope, and its time to hang up my camera, I muster everything I can to stand my ground, and keep fighting. I hope against hope that something will change, and I can move ever closer to being finished with my day-job. And once again things have changed. The tide has turned. This time more so than any other year. And I am so glad it has.

So why am I telling you this? Simple. Above all, I want to tell you to hang in there. Clich‚? Sure. But I really want us all to make it. Perhaps you're in the same boat I was in a few months ago. Don't give up. Pick up your camera and get out there and shoot. If you don't have any clients to shoot for, use the opportunity to sharpen your skills. Shoot as though you are practicing for the assignments you will have when things pick up. If you stay at it, and keep hustling for work, things will take a turn for the better. And if you've been "practicing," you'll be all the more prepared to deliver the level of photography you clients want. Use the time you have wisely. If you keep shooting, it won't be in vain.

Maybe you're not trying to make a living as a photographer, but in a creative rut. Hang in there. Keep at it. Things will change. You will break through that creative funk, and your photography will reach the next level. If you love it, do everything you can to push on to better things. If you give up, you will surely never improve.

Delivering images to a recent client...
"Here's your high resolution disc. Its been an honor to work with you...Yes, I would absolutely be interested in working with you on that later this year. I am more than willing to fly to those destinations to cover those events for you. I would love the opportunity to work with you on that!... I really look forward to talking with you more about it." I Did not see this one coming. So glad I never put down my camera! I am currently in negotiations with a company to photograph five, weeklong events this year. These five events would completely replace the income I make in an entire year at my part-time day job. And this could potentially be a yearly gig.

You just never know what's around the corner. Just a few months ago, I was seriously tempted to put my camera down, and giving up. But something in me refused. And now I have some great opportunities on the horizon. Sometimes we must hope against hope, keeping at it until something happens. This opportunity may not pan out. But, hey, it's a heck of a lot more exciting than leaving my camera on the shelf. And even if it doesn't work out, one day, one way or another, my entire income will be made with my camera. I'm fighting for those days. I vow, Lord willing, to never put down my camera.

Now, go out and shoot something!

April 20, 2010

Nikki C's Image Critique

© Nicole Castic

Hello everyone. Welcome to the new blog schedule. In case you missed it, business has been picking up, which means my time has become more scarce. So, in an attempt to keep my life balanced, I'll only be posting twice a week until further notice. Tuesdays will be critiques, and Thursdays will be technique and your questions answered. So keep sending in your images and questions, I'll still be offering my two cents. I'll also continue to post my work the first Friday of every month.

This past Sunday, I was glad to finally get out and shoot FOR FUN! Its funny how so many of us begin in photography for the pure enjoyment of it. But then we begin to make a living at it. And before we know it, though its still a lot of fun, we find ourselves shooting for everyone else but ourselves. I'm finding I have to fight for the opportunity to just go out and shoot for the fun of it. Sunday, there were six of us, plus my wife and daughter, who met downtown just for the fun of it. And, despite being very late (my daughter is 21 months old), and only shooting for an hour or so, it was great fun. Afterwards most of us even went out to eat (thank you Beki for diner!). I'm looking forward to doing this more and more. It helps my creativity to shoot for no one but myself. I'll be sure to let you know when our next GOYA shoot is, and hopefully more of you can join us. =)

Now, on to this week's image critique. This shot is sent in to us again from Nikki C. The shot is of a dude with some spiffy sunglasses on.

Overall, I think this image is pretty well executed. Most of the images I've been getting for the critiques have been very good, its been difficult to find much to improve on. And such is the case with this one. Being an editorial portrait photographer myself, I love the composition of this shot - subject heavy to the left, lots of dead space to the right, perfect for type. Of course, this is my style, and not everyone is gonna give the composition the same love I do. And that's okay. If we all saw everything the same way, and created everything exactly the same, photography would be a terrible thing. Ugh, the thought of that is almost to horrible to bear. . . anyway, back to the critique. . .

I also really like the stoic expression of the subject. It goes well with the shades. The reflection in the glasses is also nice; it adds to the interest of the image. I find myself trying to figure out what's going on in the reflection - where is he, what's he looking at, etc.

Lets discuss a few things that could make the image a bit stronger. I love the pure white background. But, judging by the dude's hair, the background was dropped out in post. This, of course is fine, it makes a great image, but the edge around the subject needs to be a bit cleaner. Its very difficult to see on the web, but his left jaw line, and all along his hair is a bit jagged. So watch out for that.

Another thing that could be tweaked is the contrast. The subject is a little flat. The skin tone and shirt are a little too grey. As is, its not bad. But boosting the contrast will give it just enough "pop" to take it to the next level.

Overall this shot is well done. A couple of tweaks and it'd be that much better. Nice job Nikki! Keep up the good work!

Anyone have anything else to add? Feel free to post a comment below. Also, let me take another opportunity to say to anyone out there, you are welcome to send in your images for critique at toddwalkerphotography@gmail.com . Also e-mail me any photography related questions and I'll do my best to answer anything I can. I'm not the end-all authority on photography, but together we all can help each other improve our craft.

Tune in Thursday for the next post. Until then...

Go out and shoot something!

April 14, 2010

A Little This & That...

© Todd Walker

Well, its Springtime. The weather is finally warming up, the trees are beginning to bud, and I've started mowing my yard. It's a welcomed change from the doldrums of winter. Along with the new season comes another welcomed change for a photographer: business begins to pick up again. And such is the case for me. This weekend I shot a prom and senior session, have a commercial shoot lined up for this week, a GOYA shoot of sorts set for Sunday afternoon, and a wedding in the works. I love being busy doing what I love. It makes me feel alive.

The reason I'm bringing all this up is I have a bit of a conundrum. With all that's been going on, my time is beginning to be eaten up. So, in an attempt to properly balance my business time with family time, Beginning next week, I will be changing my posting schedule. Instead of Mon-Wed-Fri, I'll be posting Image Critiques on Tuesdays, and combining technique with answering your questions on Thursdays. I'll still be posting my First Friday Photos the first Friday of every month. We'll see how things go. Of course, It'll be my prerogative to post more often whenever possible, which I hope will be more often than not. I've loved doing this blog, and judging by the feedback, many of you have enjoyed it as well.

Now, on to some other things. First of all, has everyone heard that the season finale' of the T.V. show "HOUSE" has been shot entirely with the Canon 5D Mrk II? You can read about it HERE. This is very intriguing to me, and I am going to do my best to watch it. Its amazing to me the advances in technologies in our craft. The ability to shoot HD video with a still-frame camera has changed, and continues to change our industry forever. It also speaks to the desire of people to be creative. Though I am to the core a creator of still images, I love that so many others have been given the opportunity to expand their creativity from stills to motion. One day, I'm sure I'll dabble in the art of video. But I don't see that happening in the near future. I'm having too much fun making photographs. Plus, I don't know how so many are finding the time to learn this new medium. I do well just to keep moving forward and improving my photoggin' skills. But to those who are making the jump, more power to you! Keep on creating! Anyway, "HOUSE" should prove to be a very interesting. I'll be tuning in for sure.

One last thing I want to mention. This coming Sunday at 4:00, me, Beki Tillotson, and several other local photographers will be meeting in downtown Tulsa for an informal "GOYA" shoot. If you live in the Tulsa area (or want to drive to the Tulsa area), and are free, come on down and join us! Its going to be a totally informal "lets-all-get-together-and-shoot" shoot. Also, bring someone with you who is willing to be a model. Its always better if there are plenty of models to go around. Oh, so what does "GOYA" mean? It stands for "Get Off Your Arse And" shoot. Sometimes we need a little kick in the backside to get us going. That's what a GOYA shoot is intended to do. So, this Sunday, 4:00pm, downtown Tulsa at 1209 S. Frankfort Suite 400 . See you there! And until then...

Go out and shoot something!

April 12, 2010

Garrett D's Image Critique...

© Garrett DeRossett
Happy Monday everyone. For those of you who have been following the blog, you undoubtedly noticed I skipped Friday's post. I had an incredibly busy week/weekend, and simply didn't have the time to get onto my computer. Sorry about not posting it, but it was great to be busy =).

This week's image up for critique comes to us from my buddy Garret D. from Springfield, Mo. He's fairly new to photography, but has developed quite an eye. The image he sent is one from his very first senior photo session, shot just a few weeks ago. And if I remember correctly, he shot it on film - actual, 35mm negative print film. Garret shoots a great deal of his work on film, because it fits his style. Good for you Garrett. Way to stick to your guns. So lets get to it...

Overall, especially for a first senior session, the image is pretty well executed. We all know, posing/directing our subjects is difficult. And multiply that ten times over when it's a person we don't know. I still struggle with engaging, directing, and posing my subjects. I am much better than when I began, but I still have a long way to go in my "directing" skills. Natural people skills are a plus, but directing a subject on a shot demands something more. If we are going to be photographing people, then we must be committed to developing our directing skills. And this comes largely from experience. In this image, the subject's expression is very good. He looks relaxed, and is engaging the viewer. Best of all, it looks like something is going on in his mind. With this sort of expression, it wouldn't be much of a stretch to get a blank, unengaged look. So nice job on that.

Aside from some problems with the composition, which I'll touch on in a moment, I like the use of leading lines. The bottom of the fence on the left, and the bottom of the wall on the right lead the eye right into the subject. This, too, was well done.

Lets look at a few things that could improve the image. The first thing I'd like to mention is the subject's pose. Generally, it makes for a more pleasing pose to angle the shoulders one way or the other. This would create an angle to the subject's shoulders, and project a more interesting pose. Also, whenever the shoulders are squared to the camera it widens the subject, which isn't so bad for males, but not usually appreciated by the ladies (for the most part, the squared shouldered pose here isn't bad. It works pretty good. BUT, it may be a bit stronger to angle 'em. I mention this mostly for the sake of discussion).

The next thing I'd like to point out is the composition. Notice how the subject's head is smack in the middle of the frame. It would be a stronger image if you were to drop the camera so his head is in the upper third of the frame. THEN, turn the camera to the right, so the subject is in the left third of the frame. You would still have the leading lines of the wall, which would still lead the eye to the subject. Also, by turning the camera to the right, you would nearly eliminate the blown-out highlight area on the left side of the frame. This bright area is somewhat distracting, drawing the eye away from the subject. Shooting in the open shade of an alleyway is a great place for a shoot (I shot several frames this way in downtown Tulsa just yesterday). But you have to be careful of the contrast between the shade and direct sunlight. If both areas are in the frame, exposing for the shade will likely blowout the area in the sun. Adversely, if you expose for the sunlit area, your subject will probably be too dark. It makes life much easier if you avoid this mix of lights in your frame, if you can help it.

But lets say, you shot it this way, and this is the image you have to work with (I end up in this scenario more times than I'd like to admit). What can we do? One thing we can do, without going into a ton of fancy-pants photoshopping is to crop down some. With this image, we can still achieve the above results simply by cropping the image. Here's what I'm talking about:

© Garrett DeRossett

Notice how the subject is to the left of the image, and his head is now towards the top of the frame. Also, the bright area has been greatly reduced, much less distracting (Thanks Garrett, for letting me hack your photo). =)

One last thing to watch out for is things in the background behind your subject. Notice how the doorway to the right of the subject's head comes very close to intersecting the head. Its great that it doesn't, but would be that much better if there were more separation between the two.

Overall, Garrett, its a great first senior photo! And, having seen many of the others from the shoot, you did an outstanding job! Thank you for letting us see and discuss your work. We look forward to seeing more of your stuff as you continue to pursue your photography. Keep it up!

Now, go out and shoot something!

April 7, 2010

Film vs. Digital



In this corner... As many of you know, I work part time at a pro camera shop in Tulsa. Since digital took over the photographic industry a few years ago, many people have crossed over kicking and screaming. Most of the apprehension towards digital is because of the idea that "film is better." Years ago, I agreed that digital would never come close to matching the quality of film. But, a few years ago its like they flipped a switch and **BAM** down goes film. The quality of a digital image became better than film, and has continued to improve since then. But telling this to the die hard film shooters is like telling Chicken Little the sky ISN'T falling. Am I saying people shouldn't shoot film? Absolutely not. I'm saying the image quality is better. But, if your vision in photography is best achieved shooting film, then digital would be a poor choice. What I am saying is digital is no longer a poor photographic medium. And to be shooting film because "film is better," is a misguided decision. Film is as good as it ever was. AND digital is even better, and continuing to improve. So, for the short time we still have film at our disposal, shoot whichever one fulfills your vision.


Years ago, I loved shooting film. But my first "professional" camera I bought during school was digital, and haven't shot any film since (about 4 years). Well, this past weekend I decided to shoot both film and digital. It was nothing official, just family snapshots over Easter weekend. I had a D200 set at ISO400, and a N6006 w/ 400 speed film. I didn't set out to compare the two. Rather, I simply wanted to shoot both mediums. I shot both available light and flash. After the weekend, here's a few thoughts about the two mediums.

First of all, digital is so much faster. Each day I was able to take my mem card, plug it into my mac, drag some sliders in lightroom, upload them to Facebook for the family to see, and done. I had to wait until Monday to have the film processed, scanned to cd, then into the computer, and here it is Wednesday and I still haven't had a chance to post them on Facebook.

One nice thing about film is it forced me to slow down. Getting in a hurry is my downfall. But having only 3 rolls of film for the entire weekend made me think about each shot, being sure every shot counted. And that was nice. With my D200, I cranked off too many poor shots.

But in the end, it all came down to the image quality. And for my style of shooting, its digital all the way. The dynamic range, detail, contrast, handling of noise (grain), and color were all far superior from my D200 than my N6006. After all these years, with many fond thoughts of shooting film, I gave it a go once again. But I discovered that my memories of film were somewhat fluffed up, romanticized. To give you an idea of how things came out, here's a couple of examples from the weekend.

AddisonFilm
This one is available light on film

AddisonDigital
And a similar one in the same available light with digital

AndrewFilm
This shot is with an sb-800 light to balance the sky on film

AndrewDigital
And this is the exact same light and camera settings with digital

These images are not state fair ribbon winning photographs. But they were a couple of the best examples I had to show the difference between film and digital, in my experience. Over the weekend my aim was not to compare the two. But once I saw the difference, I had to share them. Perhaps one day I'll do a more "scientific" testing.

Film still has its place in the industry. There are many photogs out there making some pretty amazing images on film. And some are making serious bank doing so. So if that's you, awesome. Keep rippin' those rolls. If you're like me and shooting digital, awesome. Keep heating up those mem cards. But in either case, stop the debate over which is better. Both allow for amazing work and stellar images. So pick one and get out there and capture your vision.

Now, go out and shoot something!

April 5, 2010

Beki T's Image Critique

© Beki Tillotson

Good morning everyone. I trust you all had a good Resurrection day yesterday. We had a wonderful weekend with Jenny’s family in northern Missouri, filled with good food, lots of chocolate, and dozens of hidden eggs.

Now its Monday, and everybody’s back to the grind. So lets get to it… This week’s image up for critique comes from my good friend, Ms. Black & White herself, Beki T. You can check out her work HERE; and her super informative blog HERE. If you’re a photographer at any level, I’d highly recommend looking into her blog!

The image she sent in is a BW detail shot of a hand against an obscure and out-of-focus background. Being an abstract detail type of shot, this kind of image is very subjective. The image is subjective to the interpretation of the viewer. And regardless of what I, or anyone else says, the viewer either likes the image or they don’t. It’s that simple.

I like the feel of the image. There’s a story behind this image – a story I, the viewer, am free to narrate. It makes me think to myself “what’s this person doing? Is she going somewhere? Or is she looking at something she’s already done?” The darkness of the overall image makes me lean towards the later, thinking the subject has just done something dark and sinister. But hey, that’s me. That’s my subjectivity. Overall, the image is intriguing, interesting. It makes me stop and think, and wonder what’s going on. What do you think is going on?

Lets take a look at the technical aspect f the image. I like the shallow depth of field. Isolating the subject from the background is a major key to making this shot work. It looks like a very busy background, which would distract from the subject. By being out of focus, our eye is lead straight to the hand. And, while we’re on it, for all the gear-geeks out there, the Bokeh is quite nice =).

I’m not sure what the colors were like, but the use of black and white works well. It helps serve my dark narrative for the shot. As does the high level of contrast. The contrast brings out the gritty dirt on the palm. Which again adds to my case for the dark scenario.

I also like the composition, lots of dead space on the left. Of course, I shoot in an editorial style, so go figure. Concerning the composition, I like how there’s near black on the left, graduating to lighter as we look right, then back to a darker grey tone on the subject’s shirt. This creates a stark contrast between the BG and the subjects hand, and keeps our eye right there.

The only thing I can nit-pick about this image is its exposure. Again, I stress “nit-pick.” Now, if the aim of this image was in fact a darker scenario, then it was nailed. However, if the intention was a more pleasant scene, then it needs to be brighter. And, the dirt on the hand needs smoothed out or removed. But again, this all depends on the intent of the final result.

So that’s it. That’s my two cents for this week. And, as usual, everyone reading this is welcome to offer their comments on this shot. Its an open forum. So feel free to make a comment, suggestion, or ask a question. As iron sharpens iron, together we sharpen one another’s skills in our craft.

Lastly, for those of you in the TULSA area, be on the lookout for an upcoming announcement. There might just be a hip new photoggin’ club starting soon. =).

Now, go out and shoot something!

April 2, 2010

First Friday Photos


Here's a sampling of what I created in the month of March. Feel free to give me your honest opinions as a comment! Happy Easter everyone, have a great weekend, and go out and shoot something!


© Todd Walker

© Todd Walker

© Todd Walker

© Todd Walker

© Todd Walker

© Todd Walker

© Todd Walker

© Todd Walker

© Todd Walker

© Todd Walker

© Todd Walker

© Todd Walker

© Todd Walker

© Todd Walker

© Todd Walker

© Todd Walker

See you next week!